Edit | Colour | Sound | Finishing
DaVinci Resolve editing and colour grading in Berlin
Post-production of your film projects in Berlin Schoeneberg
Our editing suite sits in the centre of Berlin, a few minutes from Potsdamer Platz. We finish our projects in DaVinci Resolve Studio — editing, colour grading, sound and effects in one system, running on a Mac Pro with a fast 48 TB RAID that holds even very large projects, plus our own server for quick data exchange.
A MacBook Pro travels with us for mobile work, so we can start a rough cut on location and judge the footage while the shoot is still fresh.
You get the complete workflow from us: viewing and pre-selecting your material, the rough cut, the final fine cut — and everything that turns it into a finished master: effects, graphics, sound editing, colour grading and the final delivery.
Why we finish in DaVinci Resolve
DaVinci Resolve is the only application that combines editing, colour grading, sound, visual effects and delivery in one. We work with the original camera files at full quality all the way through — no exporting and re-importing between programmes, no transcoding loops, fewer places for errors. These are the same tools used to finish feature films and series in Hollywood.
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Colour grading: More high-end productions are finished in Resolve's colour module than in any other system. Node-based grading, secondary corrections, Power Windows, tracking and HDR give us precise control over the look of every shot — not just a correction, but a visual language.
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Broadcast-grade sound: Fairlight puts a full audio workstation right inside the edit. We clean up and de-hum location sound, isolate voices with AI and mix cleanly — from stereo to surround, without switching software.
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Fast on multicam and live: The cut page is built for speed and tight deadlines — syncing several cameras, cutting multicam, turning livestream recordings into a finished piece quickly.
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AI that saves real time: interviews are transcribed and we edit straight from the text. Automatic subtitles, subject isolation with Magic Mask instead of hours of rotoscoping, smart reframing for vertical, object removal, noise reduction and upscaling of older or archive footage.
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Effects and graphics in the same system: lower thirds, animated titles, compositing and clean-ups are built in Fusion right on the timeline — node-based, with no detour to a second programme.
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Delivery in any format: from broadcast master to social cut, we output in every common format. On request, the client watches the edit and grade live on their own monitor.
Avid Media Composer
Media Composer stays on our Mac Pro and still earns its place. In broadcast and collaborative environments it remains a standard, and for older projects — or clients whose delivery specs assume it — we keep it ready to go.
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AVID Media Composer Symphony 2018.12.15 with MacPro – Professional NLE editing software for broadcast applications with secondary colour correction
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Extensive effects design options with Boris FX Continuum 12.0
Adobe Creative Cloud
For static and animated graphics, lower thirds and complex animation we work in After Effects, Illustrator and Premiere, with Media Encoder handling transcoding to any format you need.
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Schnittsoftware Premiere
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Elaborate design of static and animated graphics and captions using After Effects and Illustrator
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Design of complex animation sequences and films
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Transcode to any video format you want with Media Encoder